The
works are full of atmosphere and lingering charm, the brush and ink are well
applied. There are great changes in dry and wet and shade. It has increased the
difficulty of using more water and increasing the water head, but it has
increased the charm of the works and has great individuality, hope to continue
studying and continuing efforts.
——A comment by
Mr. Long Rui
Li Yumin | mist
and clouds all disappeared | 69x137cm | freehand landscape | 2011
Li
Yumin’s painting, advocate of romantic charm, value momentum, seek interest, to
the deification of the nature level in "I Paint My Mountain with My Ink”.
Taking pen and ink as the support, the emphasis on "meaning" is more
important than the expression of "writing", not the conventional
expression of the law. Build the foundation with the power, rely on the
understanding of the bridge, with the creation to advance, the ink and wash to
display the mountains of water environment to the extreme. Inheritance of
northern and southern landscape context, mobilize all means of the ink, make
the brush moist, the ink bright.
Li
Yumin landscape art entered a new stage, new milestone, new heights, both in
the contemporary Chinese painting circles, or in the forefront of China
painting development, can be regarded as one of the few, and achieved
gratifying success. Now Li Yumin is still in his prime of life, desire to
achieve great success, he also has great potential. I believe, along this road "walk
randomly", he will surely make greater achievements in the history of art.
A review of Judd
River
Li Yumin |
horizontal view of Qingjian | freehand landscape | 2015
To
know Li Yumin is because his paintings attracted me. His landscape works are
very personalized, that is new and romantic, I can feel that he has made great
efforts in the academic research and development of Chinese landscape painting.
First
of all, he developed the ink method of Chinese painting, which is the greatest
feature of his works. The innovation is based on Huang Binhong seven ink method
on the formation of his personal study "ink set method", put ink and
line as a whole; and the creation of a hollow pen line based on Huang Binhong
five strokes, use the hollow line drawing dotted line objects, with hollow line
drawing mountain and trees, with a hollow ink line splash ink, enlarge the ink
block, which is the ink and line.
This
in today's China painting circles is his personal unique brushwork, formed new
from ancient, personalized and amazing. Second characteristics, his landscape
painting is loose and hairy, strong sense of movement, technical research is
very high, can do this is very simple. Third characteristics, his composition
can be wet and dry. wet very smart, can be moist like spring rain, dry very
efficient, like dry autumn. The whole work is imposing, vivid, deep and
thought-provoking.
Then
touch himself again, he gave me a very impressive impression, not only the
big-hearted but also honest and kind, which is a good and well trained painter
and good brother, which also confirms the truth of good people good painting.
As a result of this study, he must be a good painter, a Chinese painter with
potential in the history of the development of Chinese painting.
——The famous
painter Lei Jiashou commended
Li Yumin | painting and calligraphy not a byway |
34.5x137cm | freehand landscape | 2010